Prince Shivaji Rajah Bhosle of Thanjavur had been elected as the President of Hindavi Swarajya Mahasangh- an association of royal families in India.

Gate of the Temple of Tanjore (Thanjavur) with the Great Bull Seen through Doorway, Tamil Nadu, India
by Marianne North (1877 A.D)

brahadeshwara temple Artwork done by Henry Salt

London: William Miller, 1 May 1809. Hand-coloured aquatint engraving by J. Bluck after Henry Salt, on wove paper. A splendid aquatint portrait of the Great Pagoda of Thanjavur. Henry Salt, artist, traveller, diplomat and collector of antiquities, was born at Lichfield, Staffordshire, England 14 June 1780. He was destined to be a portrait-painter, and on leaving school was taught drawing by Glover, the watercolour-painter of Lichfield. In 1797 he went to London and became a pupil of Joseph Farington, R.A., and (in 1800) of John Hoppner, R.A. The turning point in his career was 3 June 1802, when Salt left London for an eastern tour with George, viscount Valentia (afterwards Lord Mountnorris), whom he accompanied as secretary and draughtsman. He visited the Cape, India, Sri Lanka, and (in 1805) Abyssinia, returning to England on 26 Oct. 1806. He made many drawings, some of which served to illustrate Lord Valentia's Voyages and Travels to India, published in 1809. The present image is from a work titled Twenty-four Views in St. Helena, the Cape, India, Ceylon, the Red Sea, Abyssinia and Egypt, published by William Miller, with hand-coloured aquatints by D. Havell and J. Bluck from Salt's own drawings. The originals of all these drawings were retained by Lord Valentia, who also retained the ownership of the copper plates after Salt's death. The format and style of presentation of the plates is similar to Thomas and William Daniell's great work, Oriental Scenery (1795-1808), and displays great artistry by both Salt and his engravers. Brihadishvara Temple at Thanjavur is an 11th century pyramidal temple in southern India.
Abbey Travel II 515 no.3